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Jueves día 17 de Octubre, 21:00H,  Auditorio Maestro Padilla   

PROGRAMA CONCIERTO “ORQUESTA DIESIS” 

I parte 

Exultate juvilate K.165……………………………………………………………… W. A. Mozart 

Soyung Yu, soprano 

Concierto en Re M. para Violín y orq. de cuerdas…………………… F. Mendelssohnn

Paolo Morena ( Violín)

II parte 

Sinfonía nº 3 en Re M. ……………………………………………………………… F. Schubert

1.  Adagio maestoso — Allegro con brio

2.  Allegretto

3.  Menuetto. Vivace

4.  Presto vivace 

Cho DaeMyung, director

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Soprano Soyung Yu 

She received her first singing lessons in Korea. In 1989, she graduated Yonsei University from Seoul, Singing Diploma, with excellent success.

First prize in 1987 when she sang in the singing competition of the Korean Ministry of culture Seoul.

      In 1991, Soyung Yu went to Vienna, where she continued her studies at the University of Music and Performing Arts with Prof. Ralf Döring and completed her training in the opera class with Prof. Curt Malm and the song class with Prof. Norman Shetler.

      In 1995, Soyung Yu won the Emmi Destin singing competition in České Budějovice in the Czech Republic, where she also received a special prize from the city of České Budějovice. During her studies, she had numerous solo performances and orchestral concerts in Germany, Hungary, Korea and Austria.

      In 1998, Soyung Yu had her opera debut at the Vienna Opera Theater, where she sang with great success the role of Chiang Ching in John Adams opera «Nixon in China». In 2008, she performed in the same role at the Teatro Filarmonico Verona. In 1999, she sang at the Vienna Volksoper in Bejamin’s opera «Eine Sommernachtstraum».

      In February 2000 Soyung Yu performed at the Romanian National Opera in Cluj as Despina in Mozart’s «Cosi fan tutte» and as Michaela in Bizet’s «Carmen”.     

      In Seoul, Korea, Soyung Yu sang the Lisetta in Haydn’s opera «La Constance», at the Taegu Opera Festival in Korea in Cimarosa’s opera «Il Matrimonio Secreto» and Mozart’s «The Magic Flute» and in Wiltz, Luxembourg in contemporary Korean opera «Baeknokdam». In the summer of 2008 she sang the role of the priestess in Verdi’s «Aida» in Leipzig, Wittenberg and Rostock.

      Since 2007 Soyung Yu started her collaboration with CMS Vienna Internationl, Soyung Yu performed in hundreds of concerts  all over the world:

–       Romania, Bucharest Atheneum, Oltenia Philarmony from Craiova, Banatul Philarmony from Timisoara, National State Philarmony from Tirgu Mures, National State Philarmony from Oradea and Pitesti, etc

–       Hungary, cooperation with Debrecen Music University, and Liszt Hall Debrecen

–       Czech Republic, cooperation with Janacek Philarmonie from Ostrava, Rudolfinum Dvorak Hall from Prague, Music Universsity from Olomouc, Bohuslav Martinu Philarmony from Zlin,

–       Spain, cooperation with Luigi Bocherini choir from Boadila del Monte Madrid, concerts in Barcelona, Sevilla, Palau Altea Murcia, etc

–       Italy, Rome Santa Cecilia Hall, Milano, Merano, etc

–       South America, North America

–       Poland, Katowice Philarmony, Torun Philarmony,

–       Austria, Musikverein Vienna, Mozarteum Hall Vienna, Vienna Konzerthaus, Salzburg, Insbruck, Linz

–       South Korea, Art Center Seoul, Sejong Art Hall, Jeju Philarmony, Sowon Philarmony, etc

–       Ukraine, NSOU Kiev

–       Bulgary, National Philarmony from Sofia

–       Member of Jury International Singing competition.

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Cho DaeMyung

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Paolo Morena

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Programa

Marek Keprt (1974): 

Glocken auf dem Schnee (2006-2019)

Alexander Skrjabin (1872-1915): 

2 Poemes op. 32

Feuillet d´Album  op. 45 Nr. 1  

2 Impromptus (op. 14 nr. 2, op. 12 nr. 2)

2 Etüden (op. 2 Nr. 2, op. 8 Nr. 2)

Fryderyk Chopin (1810-1849):

Nocturne op. 15 Nr. 2

Polonaise-Fantaisie op. 61

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Bio

Marek Keprt (b. 1974, Olomouc, Czech republic) a pianist, composer, musicologist, teacher, director of the international music festival of contemporary music – Music Olomouc and artistic director of Olomouc ensemble ofcontemporary music – Lichtzwang. He studied piano (under A. Jenner and C. Graf-Adnet) and composition (under I. Eröd and D. Kaufmann) at the Universität für Musikunddarstellende Kunst in Viennabetween 1992 and 2000.

He has also completed piano master courses under A. Jenner (Vienna), J. Tocco (Lucerne), C. Király (Budapest), C. Graf-Adnet (Vienna) and A. Weissenberg (Engelberg). He was a resident of Ostrava Days 2017 Institute and in 2018 he participated at «CEEC Composers Field Trip» in China. Since 2002, he has been working as an assistant professor at the Department of Musicology at the Faculty of Arts, Palacký University in Olomouc. He worked as a piano and music theory teacher at the Religious Conservatory in Opava (2002 – 2014).

He gave lectures at universities and music academies in Prague, Bratislava, Dresden, Leipzig, Halle, Krakow as well as participated in international conferences and congresses. The range of his repertoire includes the pieces from the periods of Romanticism, the turnof the 19th/20th centuries and the second halfof the 20th century to the compositions of contemporary authors particularly on the music of Scriabin, Takemitsu, Russian avatgarde of the first half of the 20th century (Lourie, Vyšněgradskij, Roslavec, Obuchov), French spectralism (Messiaen, Murail, Pesson) and his own compositions. He regularly perform in Czech Republic, Austria, Switzerland, Netherlands and South Korea. As a soloist he collaborates with Moravian Philharmonic Orchestra and records for the Czech Radio. Keprt was awared by several prizes at the competition Generace Ostrava and The Alban Berg Foundation in Vienna for his work. His compositions were performed in the Czech Republic, in some others European countries and also in the U.S.

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Viernes día 25 de Octubre, 21:00H,

Salón de Actos de la EMMA (Almería) 

Violín, Anna Margrethe ( Noruega ) 

Piano, Oscar Martín ( España)

Programa:

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ANNA MARGRETHE NILSEN

Ha sido elogiada por su “virtuosismo, expresividad y una acertadísima convergencia de líneas interpretativas sensibles junto a un exquisito trato melódico” (revista Ritmo). A la edad de nueve años debutó como solista con la Orquesta de la Radiotelevisión Noruega.

En años sucesivos fue invitada como solista por la Filarmónica de Bergen, Orquestas de Cámara de Novgorod y de Kaliningrad, Orquesta de Cámara de Galicia, Musicum Concensus, Sinfónicas de Trondheim, Kristiansand, Baerum, Asker, Romerike, Jeunesses Musicales, Sinfónica del Estado de San Petersburgo, Filarmónica de la Manhattan School of Music, Orquesta de la Ópera Noruega y Orquesta de Cámara del Estado de Bielorrusia.

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Ha actuado en salas como la Wiener Konzerthaus, Oslo Concert Hall, Filarmonía de San Petersburgo y Carnegie Hall y en festivales como el Festival de Música de Cámara de Oslo, Holland International Music Sessions, Jeunesses Musicales, Norwegian Youth Chamber Music Festival, Heifetz International Institute, Kronberg Academy, Music@Menlo y el Young Artist Program de Canadá. Además ha colaborado con distinguidos artistas como Lars Anders Tomter, Liza Fershtman, Henri Demarquette, el American String Quartet, Øyvind Gimse, Paul Neubauer, Amanda Forsyth y Pinchas Zukerman.

Nacida en Noruega, Anna Margrethe Nilsen comenzó a tocar el violín a la edad de cuatro años. Su primer maestro fue Isaac Schuldman. Obtuvo el máster de Música de la Manhattan School of Music de Nueva York, en la que estudió con Pinchas Zukerman y Patinka Kopec. Es ganadora de los concursos Sparre-Olsen, Nacional de Violín para Jóvenes Noruegos, Lillian-Fuchs de Nueva York, Eisenberg-Fried Concerto Competition y ha recibido la Medalla de Honor de Málaga, el Premio Dobloug y Premio Hugo Kortschak. Forma parte del Kempinski Arts Support Program.

Recientemente ha actuado con la Joven Orquesta Leonesa y con la Orquesta Academia Galamian, bajo la dirección de Francisco Valero Terribas, y con la sinfónica U. Mayor de Santiago de Chile. También ha formado parte en actuaciones con Pinchas Zukerman (Nueva York), Amanda Forsyth y David Geber, y realizado conciertos y clases magistrales en el Miami International Piano Festival.

Sus grabaciones para Centaur Records, que incluyen los Mitos de Szymanowski y la Sonata nº 2 de Bartók, con los pianistas Anna Petrova y Josu de Solaun, saldrá a lo largo del 2020. Le seguirán un álbum con la integral de las sonatas para violín y piano de Grieg y grabaciones de obras de Busoni, Granados y Brustad.

Actualmente es codirectora y profesora de violín en la Academia Internacional Galamian y cofundadora y directora del Festival Internacional de Música de Cámara Málaga Clásica.

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Óscar Martín

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El pianista sevillano Óscar Martín comienza sus estudios en el Conservatorio Superior de Música de su ciudad natal con los profesores José Antonio Coso y Ana Guijarro, perfeccionando posteriormente en centros internacionales como Musikhochschule Freiburg (Alemania), Escuela Superior de Música «Reina Sofía» de Madrid y Conservatorium van Amsterdam bajo la dirección de los profesores Tibor Szàsz, Vitali Berzon, Dimitri Bashkirov, Galina Eguiazarova y Jan Wijn. Recibe consejos, a su vez, de músicos renombrados del panorama internacional como Frédéric Gevers, Hans Graf, Almudena Cano, Elza Kolodin, Philippe Entremont o Daniel Barenboim, entre otros.

Mobirise Mobirise Ganador del Premio Manuel de Falla de Granada y del Primer Premio de Música de Cámara de Juventudes Musicales de España, Óscar Martín ha actuado en los más relevantes escenarios de España (Auditorio Nacional de Música de Madrid, Auditorio Manuel de Falla de Granada, Teatro de la Maestranza de Sevilla…), así como en Francia, Italia, Portugal, Alemania, Suiza, Austria, Holanda, Bélgica, Polonia, China, Turquía, República Checa, Japón, Venezuela o Estados Unidos, en escenarios internacionales como Mozarteum de Salzburgo, Spielhaus Winterthur, Institute of Music de Cleveland, Konzerthalle de Hamburgo, Teatro Teresa Carreño de Caracas, Palais de Beaux Arts de Bruselas o la gran sala de conciertos de la “Universidad Chopin” de Varsovia (donde interpretó la “Suite Iberia” integral de Isaac Albéniz), siendo retransmitidos algunos de sus recitales por canales de radio y televisión como TVE y RNE (España), Radio Vltava (República Checa) o WCLV de Ohio (EEUU). 

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Galardonado con la Medalla Isaac Albéniz 2017 en el Festival Internacional de Música de Camprodón (Girona), ha actuado como solista junto a orquestas como la Real Orquesta Sinfónica de Sevilla, Orquesta Ciudad de Málaga, Zahir Ensemble (interpretando el Concierto para Piano de G. Ligeti), Orquesta Sinfónica de la Juventud Venezolana Simón Bolívar, Orquesta Joven de Andalucía, Oviedo Filarmonía… junto a directores como Peter Gülke, Pedro Halffter, Manuel Hernández Silva, Josep Vicent, Santiago Serrate, György Ràth, Juan Rodríguez Romero, Rubén Gimeno, Juan García, Pablo Mielgo, James Ross, Juan Luis Pérez o Günter Neuhold, con quien junto a la orquesta Oviedo Filarmonía interpretó el Concierto para Piano número 2 de Bela Bartok en el Auditorio Príncipe Felipe de Oviedo cosechando un notable éxito de público y crítica. Mobirise Mobirise Reseñable es también su actividad camerística, destacando sus grabaciones de Arnold Schoenberg y José M. Sánchez Verdú junto a Zahir Ensemble (editadas por los sellos discográficos Naxos y Verso respectivamente), así como su registro, para el “Centro de Documentación Musical de Andalucía”, del cd “Manuel Castillo. Obras para violoncello y piano. Tríos 1 y 2”. Cabe destacar, a su vez, el lanzamiento al mercado de su grabación de la “Suite Iberia” de Albéniz para el sello discográfico Lindoro.

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Jueves día 24 de Octubre, 21:00H, Salón de Actos de la EMMA, 

Programa Concierto

I parte

II parte

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Bio

Pierre-Laurent Boucharlat played his first concerto with orchestra at the age of 13, and gave his first recital at the age of 15.

After winning his prize at the Music High School of Lyon, Pierre-Laurent Boucharlat was accepted unanimously into the Troisième Cycle in Paris, in the class of Jean-Claude Pennetier. He then continued his studies with Monique Deschaussées, a student of Alfred Cortot and Edwin Fischer.

A winner of international competitions (Spedidam Prize, Darius Milhaud Prize), his notoriety became assured in 2000, when his CD, a live recording of the 24 studies of Chopin, was released and favourably announced in, Piano Le Magazine.

He has since been invited to perform in many countries in Europe (Russia, Germany, Switzerland, Italy, Sapin, Belgium, Greece, Czech Republic, Poland, Turkey, Macedonia), in Asia (Kazakhstan, Siberia) and América (United States, Canada, Mexico).

He can be heard regularly in recital and as soloist with orchestra, and in chamber music, notably with the Ensemble Promethée, which he founded in 2005. He collaborates alongside recognized partners such as Pascal Amoyel, Vadim Tchijik, Philippe Bernold, Emmanuelle Bertrand, David Bismuth, Nicolas Dautricourt, Florent Héau, Mark Drobinsky, Hugo Ticciati, the Archimede Quartett, and the Wiener Kammersymphonie.

He plays regularly with orchestras including the Symphonic Orchestras of Krasnoyarsk (Siberia), Morelia (Mexico), Thessaloniki (Greece), Bryansk (Russia), Astana (Kazakhstan), and Garde Républicaine (France) as well as many others. He has worked with the finest conductors such as Claudio Cohen (Brazil), Gilles Colliard  Switzerland), Alessandro Tortosa (Italy), Eduardo Armbatsoumian (Russie), Michaïl Benyumov (Russie), Jean-Marc Cochereau (France), or Andrea Barizza (Italie).

He also plays with Chamber Orchestras such as the Orchestre de Chambre de Toulouse (France), the Baltic Neopolis Orchestra (Poland), the Camerata du Rhône (France), and the Ensemble Artemus (France).

Recently, French Television (France 2, France 3 and TLM) began filming several of his concerts and broadcasting both here as well as on Russian, Catalan, Italian, Bulgarian, and Polish television.

He also has been invited to perform several times in live on France Musique, notably in 2012, in association with the famous French performer, Anne Roumanoff, and the writer Eric-Emmanuel Schmitt (recorded and printed by the French editor Albin Michel in 2014).

He is the Artistic Co-director (alongside Karine Locatelli) of the festival, Musicales en Tricastin, and also is artistic director, Ecully Musical and of the association, Musique en Franc-Lyonnais.

His discography includes several other CD dedicated to Beethoven (with both a single and a three-disc volume), Schumann and Mussorgsky (Pictures at an Exhibition), Liszt (including the Sonata), and «The Slave Soul» (recorded live with the Russian mezzosoprano, Elena Sommer).

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